The sixty-four yr interval between 1837 to 1901 is named the Victorian period, and this era was marked by the ascension of a younger Victoria to the throne of England. This was a time of nice romance, epic tragedies (particularly with the dying of Victoria’s husband Prince Albert in 1861) and unparalleled prosperity.
Jewellery designs of the period fell into three broad classes: the Romantic interval (1837 to 1860) which was marked by jewellery with advanced engravings, refined enamel work and serpentine designs; the Grand Interval (1861 to 1888) which coincided with Victoria’s bereavement and subsequently was marked by jewellery reflecting darkish, somber themes; and the Late Victorian interval (1889 to 1901) the place diamonds dominated and jewellery items have been decidedly whimsical and spectacular.
Instantly after Queen Victoria’s dying, there was a short interval of change in jewellery design, generally known as the Artwork Noveau – marked by jewellery impressed by nature and themes mythological in origin – and the Edwardian interval characterised by jewellery of ethereal lightness and funky magnificence reflective of British aristocracy and rich American industrialists.
The designs of the period – marked by an abundance of small however sensible stones (particularly through the Late Victorian period and the Artwork Noveau/Edwardian interval) inlaid in silver and different valuable metals – are experiencing a revival in the present day. Trendy Victorian-era impressed jewellery, nevertheless, are making use of a mineral referred to as marcasite or white pyrite as an alternative of the standard stones. Marcasite (typically referred to as white pyrite or white iron pyrite) are literally pyrite crystals which can be made into jewellery.
Using Marcasite has ensured a well-liked alternative for jewellery of every type.